they’ve set traps for the rats…

they’ve set traps for the rats –
one would think who cares?
except that I’ve seen the mother
coax her young in clambering
up the long patience of her tail
to reach the seed in the feeder
long after the evening’s last birds
have flown to their repose

down the street, they’ve shot the coyote,
and are calling it mercy
one might say so what?
except that she tracked the rats
and carried them back with her
into the deep green bulwark
at the densest edge of the park
where her soft-nosed pups wait

they’ve placed a sign around the corner
and one might think it benign –
until the hard hats descend
with their chainsaws and chippers,
to fell and to sunder the cedar
whose rings will mark an age
that far surpasses this city
and glibly name it progress

© Sarah Whiteley

placid with the mountains

I cannot be the abstract
the city asks of me

I cannot maintain the grind
of teeth, of grime –

the hot seconds stuffed
into dull hours

when I do not go out,
the ghost of going out

rises within and whispers
of how the November woods

still smell of autumn –
of how the sleeping lake waits,

placid with the mountains
etched upon her face

© Sarah Whiteley

wildness is a necessity

when, as now, the city leans too close –
all cloying constructs, relentless cement

send to me a comfort of simple pine,
send to me an endurance of wind-bent cedar,

give to me the remoteness of ridgelines
and a full solace of placid tarns

what Muir meant made blazingly clear
with each leaden municipal minute

wildness is a necessity

© Sarah Whiteley